Thursday, December 19, 2013


Notes :

Starting with my previous piece Ronda, I paid attention to maintaining a clear separation of shadow planes from halftones/highlights (light planes), which gives both of these much stronger solidity and clarity of form. I notice they also both have lighter light planes than my previous paintings, which now look muddied up to me because of it. 

I also noticed before starting on this one that I tend to shy away from greens in flesh tones, and it seems to be an important element in most paintings. So I made shadows green here, and it definitely helped. In fact the flesh tones here consist of purples (or somewhat cool reds you might say), yellows for highlights, and green for shadows. A pretty full set of colors. I normally tend toward mostly warms, with some purples for shadows.

Here's the value sketch before converting to color :

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